Jun 7, 2009
THE CEYLEIB PEOPLE - TANYET (VAULT 1967)
...POSTED BY REQUEST
Ry Cooder's Ceyleib People are arguably one of the more innovative groups of the late 60s. Taking the loping blues romp of Captain Beefheart and filtering it through Indian music, the group created a very short album, what would be an EP now, of two 10-11 minute parts. For 1967, this is definitely hippy experimental music, hopping from guitar riffs to sitar drones to mellotron rambling and back without regard for convention. It's almost as if there was an intent to fuse the influences of Ravi Shankar with those of the old blues legends, except that rarely is there any true juxtaposition of both styles, instead one will start out and then give way to another, segment by segment. It's as if someone gave a studio the masters for several Ravi Shankar and Captain Beefheart albums, asked them to splice them together, and then left, only to have the engineer play a joke by adding parts of Days of Future Passed in as well. Overall, it's a pretty successful experiment especially considering its age.
The reissue of the album gives you two new versions of the two pieces, "Aton" and "Aton II," supposedly processed, but not really sounding all that much different from the first two.
While this might not have been so impressive had it been from a few years later, its presence in 1967 is quite prescient...[Mike McLatchey Gnosis 2000]
Amazing psych-raga bluesy rock from this underrated "classic" project by Ry Cooder. With a lot of inventions and variations, this music conciliates eastern buzzing ragas to rocking energy and synth progressive orchestrations. The opening track (divided into 5 parts) features a catchy bluesy vibe, nice percussions parts and evocative, dreamy like flute passages. Rapidly, the composition explores in a meditative style sitar / flute combinations...after 3 minutes, we have the return of Ry Cooder's typical guitar sound, communicating with inspired "ethereal" keyboards and buzzing sitar strings. It finishes with violin like strings with some expeditive classical covers...really enigmatic and passionate song. The second composition (for 6 parts) also alternate bluesy rock interludes and raga sonorities...featuring very catchy melodies and rhythms. Impressive bluesy-folky-psych raga fantasias!..[net]