PEARLS BEFORE SWINE - BALAKLAVA (ESP 1968) Jap mastering cardboard sleeve

For this second album, original group members Tom Rapp, Wayne Harley and Lane Lederer were joined by Jim Bohannon, who replaced Roger Crissinger. Like the group’s previous LP on ESP-Disk, "One Nation Underground", it was recorded at Impact Sound in New York City. Recordings probably took place in early 1968 – although some CD reissues state that it was recorded in 1965, this appears to be an error. Lederer left the group during, or shortly after, the recordings, and the basic group was augmented by studio musicians.
.........................
Rapp has stated that he wanted to produce a themed anti-war album, and chose the Charge of the Light Brigade at Balaklava in 1854 as an example of the futility of war. The album was dedicated to Private Edward Slovik, the only US soldier executed for desertion in the Second World War. The front cover, a detail of "The Triumph of Death" by Pieter Brueghel the Elder, showed a grotesque allegorical depiction of the horrors of war, while the back cover showed a photograph of a young girl at an anti-war protest. The cover also included the quote ”Only the dead have seen the end of war” by George Santayana, together with surreal and horrific drawings by Jean Cocteau. Incidentally, the cover contributed to the mystique surrounding the group - there were few if any photographs of its members published, and Pearls Before Swine did not perform in concert before 1971.
.........................
The album itself starts with a recording of “Trumpeter Landfrey” (his name was in fact Martin Lanfried), one of the original buglers from the 1854 battle. Together with the recording of Florence Nightingale later on the album, this was taken from an archive 1890 cylinder recording, which had been reissued on 78rpm records in the 1930s.
.........................
"Images of April", in contrast, is an evocation of nature, featuring dubbed bird song. After "There Was A Man", a simpler story-based folk song, another highlight is "I Saw The World". Its innocent but heartfelt lyric (Rapp was just 21 at the time) - "I saw the world spinning like a toy / Hate seems so small compared to it all, so why don’t you do joy ?" - is supplemented by overdubs of natural sounds including waves, as well as wind chimes and a lush string arrangement. "Guardian Angels" is a ballad recorded deliberately to sound as it if it were on a scratchy 1920s 78rpm record, and was presented as such ("recorded in Guadelope, Mexico, in 1929…" ) on the sleeve.
The generally less artistically successful second side of the original LP starts with a version of Leonard Cohen's "Suzanne" , followed by Rapp’s original "Lepers and Roses", a complex ballad full of allegorical classical references. After the archive recording of Florence Nightingale, the final track, "Ring Thing", is a dramatic evocation of Tolkien's The Lord of the Rings with crashing gongs and bagpipe drones. At the end, the sound of a tape spooling backwards through the album takes the listener back to "Trumpeter Landfrey" – the message seeming to be that the cycle of war and confusion is destined to continue.
.........................
The album repeated its predecessor’s critical success on the underground college scene of the late 1960s, and has subsequently been regularly rated most highly of all Rapp’s albums. Following the album's release, Rapp extricated himself from his ESP contract and signed with Reprise Records...
Here