OZARK MOUNTAIN DAREDEVILS - THE CAR OVER THE LAKE ALBUM & MEN FROM EARTH (A&M 1975-76)

The Ozark Mountain Daredevils were among the more popular of mid-'70s country-rock outfits, slotting in chronologically and stylistically between the Eagles and Firefall. As exponents of '70s country-rock, the group rode a wave of success for five years on A&M Records and survived in some form into the 1990s, with a following just large enough to justify occasional record releases in their later years. The sextet was formed in Missouri during the early '70s, consisting of guitarists John Dillon and Steve Cash, blues harpist/singer/guitarist Randle Chowning, drummer/guitarist/singer Larry Lee, keyboard player Buddy Brayfield, and bassist-vocalist Michael Granda, and was signed to A&M Records in 1973. Their first album, recorded under the supervision of producer Glyn Johns (who had also worked with the Eagles), was a critical success and yielded a Top 30 hit in "If You Want to Get to Heaven." A year later, they had the biggest hit in their history, "Jackie Blue," a mellow piece of country-rock that got to number three on the charts and still gets played occasionally as a '70s oldie. They had an ethereal edge to their sound and songs that made them especially appealing to college-age listeners during the middle of the decade. Their self-titled debut album set the tone for the group's next four releases, although by 1978's Don't Look Down, the sound was somewhat closer to country-pop than country-rock. Collegiate girls and their boyfriends could relate to them, and a sense of humor didn't hurt (their third LP, The Car Over the Lake Album had cover art featuring -- you guessed it -- a car over a lake). Lee, Dillon (who later played with fellow Daredevil Steve Cash on the Waylon Jennings/Jessi Colter White Mansions concept album), and Chowning authored most of the songs that anyone knows ("Jackie Blue," "Following the Way I Feel," "Fly Away Home"). The group enjoyed success primarily on FM radio from 1973 until 1978, and were popular enough to justify the recording and release of a double-LP concert album...[net]
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